His attempts at small-indie counterprogramming - like The Grand Seduction, whose primary appeal was Kitsch in wool cowl-neck sweaters - barely made a blip outside Canada. Savages, a 2012 Oliver Stone film that mostly required Kitsch and Blake Lively to be sweaty and hot together, barely broke even Lone Survivor did well, but Kitsch was secondary to both Mark Wahlberg and Eric Bana. And once in motion, it was impossible to stop - even if the engine was on fire and the tracks were disappearing.
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While both films failed for reasons that largely had nothing to do with Taylor Kitsch, the Taylor Kitsch, Movie Star Campaign train had the left the station. The publicity leading up to the films all asked the same question: Is Taylor Kitsch the next big thing? The answer, it seemed, was absolutely not. Instead, he got cast in two bloated film wrecks - John Carter and Battleship - both of which were released in 2012 and both of which massively flopped. He was going to be the next action superstar, a taciturn hunk, Bruce Willis meets Jason Statham. In 2012, building on the success of Friday Night Lights - a beloved show, but watched by relatively few - Kitsch embarked on what was supposed to be a massive, star-making second act. What’s all the more remarkable is that he seems to be succeeding at it without any PR supervision.Which might, of course, be part of the reason it works so well. With his Instagram, Kitsch is doing something fascinating, with a high level of difficulty: He’s rebuilding his star image out of the ashes of a failed one. It’s all perfect, or at least it’s perfectly in line with how I want to imagine Taylor Kitsch. And, periodically, there’s a feeling that he wants to punch the other version of himself - Movie Star Taylor Kitsch - in the face. He’s nostalgic and romantic about the world around him. He drops G’s (“Ridin’”) and approximates his mom’s Canadian accent (“G’head. Instagram Taylor Kitsch loves his motorcycle, loves the Canadian ice dancing team, loves remembering what he’s learned from various long-lost film roles. Sound system casually made ears bleed.įorever grateful for that Pontiac Firefly.the Grind is the best part.” Washer/dryer.Īnd I’m legally not allowed to tell y’all what was under the hood.
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Racing tires are self explanatory.It also had a full California king bed in back. Engine ran off of orange marmalade and auditions I bombed. Turned into my home.Delivered cookies.The paint color has never been duplicated. Instagram Taylor Kitsch feels very much like the sort of guy who, as he once told Interview, was “voted funniest guy in the school twice.” Dad humor meets deadpan, with captions on an old photo of his beat-up car like this: Since then, he’s posted 39 more - an utterly charming mix of childhood photos, oversaturated glamour shots, and landscape appreciation. It would give the world a lot more room for in-depth exploration, which I think the franchise would ultimately benefit from.On January 19, Taylor Kitsch made his first Instagram post. If HBO can Game of Thrones, then they (or AMC, or Netflix) could certainly John Carter.
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As CinemaBlend points out, Universal might be the most likely option, having picked up several sequels after their original studios dropped them (including Hellboy, Kick-Ass, and Dumb and Dumber).īut given that the negative reception of the first film is so recent in people’s minds, I think the story (spread as it is over almost a dozen books) might actually be better suited to a TV network. has a David Yates-directed film based on Burroughs’ Tarzan scheduled for a 2016 release, but that doesn’t necessarily mean they’d be quick to pick up on another Burroughs property (unless it does, like, really really well). So who should pick up the rights to John Carter to see this movie get made in the right way? While I’d love to see a legit sequel to the 2012 film, I think that’s highly unlikely at this point. seeking a new partner to help develop new adventures of film as chronicled in the eleven Mars novels Burroughs wrote.
We will be seeking a new partner to help develop new adventures on film as chronicled in the eleven Mars novels Burroughs wrote. Edgar Rice Burroughs was the Master of Adventure and his literary works continue to enjoy a world-wide following. John Carter of Mars was the creative stimulus behind such movie classics as Superman, Star Wars and Avatar. James Sullos, President of Edgar Rice Burroughs, Inc., says they definitely want to get another film made: Seeing as the original film earned Disney a $200 million dollar loss (their own fault due to terrible marketing, in my opinion ), John Carter’s rights have lapsed back to the creator’s estate. If you, like me, are one of the few people on this planet who did not unequivocally despise the John Carter movie, you might be excited to learn Disney has lost the rights to the franchise – meaning there’s still hope for a sequel!
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